Start Vanessa paradis dating matthieu chedid

Vanessa paradis dating matthieu chedid

"Usually in front of the microphone, fright comes up and steals a bit of your performance, you know? " His influence shows up in her phrasing, she says, in the way she "swims in the melody". On one track, "Ds Que Je Te Vois", I keep thinking I can hear something suggestive. " she laughs, showing those gappy teeth, the imperfection that makes her perfection bearable. I'm not even a man and still I practically need resuscitating. She reminds me of Kate Moss, but because Moss was Depp's last girlfriend before Paradis, I dismiss that thought as unchivalrous.

But it was also, perhaps, a case of out of the frying pan and into the fire.

In 2005 Jean-Claude Brisseau went on trial, accused of sexually harassing 15 young actresses by asking them to masturbate on camera.

Or perhaps, all-too-accountably, as France has a tradition of pubescent pop performers think of France Gall's "Lollipops" or Charlotte Gainsbourg's "Lemon Incest" though of them all, "Joe Le Taxi" prends le biscuit.

Vanessa was entrancing, vogueing about in her Naf Naf tracksuit, pouting bravely at the camera, but you couldn't help wondering where it was all going to end.

This is, frankly, something of a miracle given the way she started off, a precocious 14-year-old pop star, crooning "Joe Le Taxi" and wiggling her hips as if desperately trying to keep aloft an invisible hula-hoop.

She looked like any young teen trying to do sexy dancing in her bedroom mirror, except, unaccountably, she was on Top of the Pops.

"She's a fighter," said the late Etienne Roda-Gil, who composed "Joe Le Taxi".

"Vanessa seems fragile," observed her agent, Marceline Lenoir.

Looking at her performance on "Joe Le Taxi" (it's on You Tube if you can bear to watch it), there's nothing shocking about the words, or the singing, or even the fact that she's on TV; it's the movement that makes you worry, the endless shifting from one leg to the other, a bit like a young dancing bear. "It was a very strange period, a very extreme period," she says. It's not easy to grow up, but to grow up famous, it's worse." Near the family home in Val-de-Marne she saw "Vanessa Paradis is a whore" scrawled on a wall. "I think it was easier to spit on a kid than a woman," she says with the urgency of someone who is still trying to rationalise behaviour that has hurt her deeply.

"In France it became a really big phenomenon and it was very casual, this torturing of a child.

She got up to sing "Joe Le Taxi", but the audience of music-industry insiders made ironic catcalls, whistles and boos. One of them was director Jean-Claude Brisseau, who saw the footage from the awards that night and thought she had the right quality for the lead role in his film Noce Blanche [White Wedding]. It was a hard role, but considering what she'd already lived [through], I knew Vanessa Paradis could take it," he told L'Express.